Shooting in Da Club

Here are some behind the scenes photos from the shoot I posted on earlier this week. Great team, great shoot.

November Skies

A beautiful autumnal sky over south London.

A Day in The Life….

Would you believe me if I told you this was my work day yesterday?

Happy Halloween

I went a little rogue with my pumpkin this year: a homage to the The Wicker Man perhaps. Anyway I’m pretty pleased with it and I hope everyone has a great Halloween.

China Calling

I worked on this editorial for Numero Homme China on one of the few boiling hot and beautiful days this summer. I assisted the stylist Jason Leung, the photographer was Stefan Khoo, hair by Cher Savery and make-up by Philippe Miletto. We had three male models, including Burberry’s Thomas Penfound, and it was shot over two days in a studio is north London. The best thing about shooting men’s wear is that hair and make-up don’t take forever and so you get lots of time to shoot and try out different options. I think this editorial looks great.

Source: Models.com

Christopher Kane S/S13 LFW

Christopher Kane is one of the most sought after tickets for LFW and most of the fashion world turned up for this. I was annoyed not to get a glimpse of Samantha Cameron as I’m a huge fan of hers but the room was huge and I must have missed her. I don’t suppose she made use of the pink car Nails Inc had parked outside pumping music with girls raising money for charity by giving manicures: surely that’s a touch risky just before a show? This collection was as unpredictable as we have come to expect. With a lot of white, and some yellow and pink that the designer said ‘make you feel a bit sick’, it certainly leant towards excess, the ‘too pretty’ that he wanted to push for. There was plastic and rubber and gaffer tape on lace, and a squiggly bow belt in clear plastic that echoed one of the patterns. It took forever to leave as a room full of people tried to get down the limited lifts back to street level but it was a good chance to people spot and do a bit of networking, dahling.

Ashish S/S13 LFW

You can always count on sequins from an Ashish collection and as ever it didn’t disappoint. This girl was a grungy super laid back ‘mathlete’, whose slogans are ‘I’m Serious’ and ‘Tres Fatigue’. She wore one legged blinged up and the other denimed down. There were lots of loose hoodies, spangled of course, mixed with flowing white or polka dot shirts, pale slouchy sparkling T-shirt dresses and crazy geeky glasses. To quote the press release, she’s ‘more concerned with quadratic equations than the number of ply in a chashmere sweater’. Well, this maths whizz better have a lot of chutzpah because some of these all sequin looks will take some wearing and she may be too cool for school.

Osman S/S13 LFW

The invitation should have been a clue to the heart ladened motifs seen at Osman’s show. Apart from this pattern, which looked better in some versions than others, the looks were mostly colour blocks of bright pinks, neon yellows with black used as a contrast to break up the all the elements.  There was a lot of layering, with slit skirts over trousers predominant, and different elements like the wide wrap around stole-collars that added complexity, or possibly confusion . One design featured, from the top, a wrap around scarf, a one shouldered top with a blouson above a peplum, with a skirt that had a long train.  I’m not sure how wearable some of the leather looks will be for summer (not that we have much of a summer here!), and the  daring deep V neckline is not for the faint hearted…get it?

John Rocha S/S13 LFW

Nice to see some colour at John Rocha, although he did show some signature black looks towards the end. Dresses with convolutions of ruffles contrasted in volume with simpler pale overblouses in sheers. There was a faded romance, slightly raggedy flowergirl feel to the collection, not least because of the incredible hats; how they were anchored on would be interesting to know.  Underneath, though, there were some rather secondhand-looking blonde and black wigs which were a shame.

Todd Lynn S/S13 LFW

This was a mixed collection and one of contrasts.  It opened with a lovely soft colour range of taupe, rusts, buttery yellow, moss and sage greens and ended with a series of all black looks.  There was a lot of serious intricate tailoring as you would expect and also some gentler very summery dresses. The plain leather looked good and so did the beautiful silks in subtle organic patterns. Skirts were straight and A-line, trousers well cut. Models wore plaits again.